About Woolly Wits

I am a hand-knitting designer and teacher. See and purchase my published designs on Ravelry.

Monday, November 24, 2014

A Tale of Two Vests

These past two weeks I have been busy with visitors, my daughter's musical and home remodeling projects that are finally getting underway, so I have been slow to post about my two new vest designs.  Both are in books from Sixth & Spring, the book division of Vogue Knitting.  But, the two vest, while wildly different, both reflects aspects of my design passions.

9781936096817-98_smallThe first is Sky Beauty from Vest Bets: 30 Designs to Knit for Now Featuring 220 Superwash® Aran from Cascade Yarns.  In my mind, this was 'the hourglass vest', as it's intention is to allow the colorblocking and strong outlines create an hourglass figure.  In that sense, I think it is quite a successful design.  I also enjoy how sporty it seems because of the dark outlines, and the combination of sporty and feminine is not easily achieved.  

In designing Sky Beauty, the color combination was the most significant factor.  To make the sides visually fade away thus slimming the figure, they need to be darker than the center.  But, should the outlines be darker still?  I created a couple different options in my proposal.  The first option is the direction the editors chose to go, only substituting navy for the royal blue in the outline.  The two second options both place the darkest color at the side, and then use a mid-tone color for the outline.  They are more slimming, but lack the sporty flair of the first option.  This is why it's a great idea to sketch a color combination before committing to the knitting.  

Line2_small2My second vest design, the County Line Vest, is from Modern Country Knits: 30 Designs from Juniper Moon Farm by Susan Gibbs.  Surprise!  It's plaid.  But, I think this may be the nicest of my plaid designs.  This design uses the two-stranded intarsia and applied crochet techniques combined.  The two strands of Findley worked up like a dream.  The fabric is nearly weightless, but with a luminescence.  It really is just gorgeous, and the photos don't do it justice.  

Line1_small2Color was again important here, so the editors had me work up several swatches of color combinations.  I have not yet received my designer copy of the book, so I can't say whether they made the final cut.  Maybe'll I will dedicate another post to discussion of those options when it arrives.  

And don't you love the kid in the photograph?  I have always had a weakness for goats, but can't imagine how they got this babe to kiss the model.  

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